In Intentaron llegar al Cielo, Pedro Peralta Duarte stages a Babel tower within a painted room of its own. Two dark walls converge toward a canvas-like window, framing a tiered structure that recalls Montevideo's Palacio Salvo as much as the biblical myth. Above, a small round opening reveals a single cloud, a quiet punctuation mark in the composition. Rendered with the same engraver's precision that defines his practice, Peralta turns architectural ambition into a picture within a picture, asking where the built world ends and the painted one begins.